Three books translated from German have made the fiction and poetry shortlists for the Best Translated Book Award:
Elfriede Czurda: Almost 1 Book, Almost 1 Life, trans. Rosmarie Waldrop
Herta Müller: The Hunger Angel, trans. Philip Boehm
Urs Widmer: My Father's Book, trans. Donal McLaughlin
Woo!
None on the Impac Prize or the Independent Foreign Fiction Prize shortlists, but hey. Lots of other good books out there.
Showing posts with label urs widmer. Show all posts
Showing posts with label urs widmer. Show all posts
Thursday, 11 April 2013
Tuesday, 5 March 2013
BTBA Longlist / Four Point Five Percent
First of all, the fiction longlist for the Best Translated Book Award has been announced - and includes four books translated from German:
Awakening to the Great Sleep War by Gert Jonke, translated from the German by Jean M. Snook (Dalkey Archive Press; Austria)
The Hunger Angel by Herta Müller, translated from the German by Philip Boehm (Metropolitan Books; Romania)
Island of Second Sight by Albert Vigoleis Thelen, translated from the German by Donald O. White (Overlook; Germany)
My Father’s Book by Urs Widmer, translated from the German by Donal McLaughlin (Seagull Books; Switzerland)
My fingers are crossed quite hard, although not equally for all four.
And then, speaking of Three Percent, Literature Across Frontiers has published a report on translation statistics in the UK and Ireland. At last, someone's done a study - and come up with some figures. According to LAF, translations constitute 2.5% of published titles (all literary genres including biography, literary criticism and others) and 4.5% of published literary titles (fiction, poetry and drama) in the UK and Ireland. German was the second-most translated language in the years under review (after French and before Spanish). The study used data from the British Library, which is more reliable than the Index Translationum for various reasons, as the author reports.
I've oversimplified. The two categories in particular are more complicated and especially interesting for anyone who's worked in a library with the Dewey Decimal system - oh those 800s! The main part of the study is only 28 pages long and well worth a read - especially for publishers. There are some great appendices too including useful resources - a list of publishers who do translations, for instance. Here's my favourite quote:
Awakening to the Great Sleep War by Gert Jonke, translated from the German by Jean M. Snook (Dalkey Archive Press; Austria)
The Hunger Angel by Herta Müller, translated from the German by Philip Boehm (Metropolitan Books; Romania)
Island of Second Sight by Albert Vigoleis Thelen, translated from the German by Donald O. White (Overlook; Germany)
My Father’s Book by Urs Widmer, translated from the German by Donal McLaughlin (Seagull Books; Switzerland)
My fingers are crossed quite hard, although not equally for all four.
And then, speaking of Three Percent, Literature Across Frontiers has published a report on translation statistics in the UK and Ireland. At last, someone's done a study - and come up with some figures. According to LAF, translations constitute 2.5% of published titles (all literary genres including biography, literary criticism and others) and 4.5% of published literary titles (fiction, poetry and drama) in the UK and Ireland. German was the second-most translated language in the years under review (after French and before Spanish). The study used data from the British Library, which is more reliable than the Index Translationum for various reasons, as the author reports.
I've oversimplified. The two categories in particular are more complicated and especially interesting for anyone who's worked in a library with the Dewey Decimal system - oh those 800s! The main part of the study is only 28 pages long and well worth a read - especially for publishers. There are some great appendices too including useful resources - a list of publishers who do translations, for instance. Here's my favourite quote:
As previous reports have shown, the status of the translators themselves is precarious in the UK, with reviewers, for example, sometimes even failing to mention that the work is a translation, and failing to name the translator. Publishers play the most important role in raising the profile of translators and translation – and in this apparently small matter, they can make a significant difference.The small matter is providing the industry with detailed data, but obviously publishers can and do make all sorts of significant differences.
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