Thursday, 28 February 2013

Michelle Woods on Re-Translating Kafka

The other day I linked to Daniel Kehlmann's speech in praise of his translator, Carol Brown Janeway. I did so mainly because it's wonderful to see translators lauded in public, especially by such a high-profile writer. However, there was one part of the speech I actually objected to, and that was this:
Academic translating means, more or less, translating in order to make it sound bad. I am not joking. For quite a while now some of the more important University departments for translation have taught their students to stay as close to a text’s original syntax as possible, in order to make the reader never forget that he or she is reading a translation.
Now, I am not party to what goes on in university departments for translation - important or not - although I do have a modest insight into what happens in more practice-oriented translation workshops. But I do think Kehlmann missed the point with this comment. What I hope is going on is that translators are learning to find their own fine line between fidelity and betrayal, and also to question the notions in the first place. There are many times, in my opinion and indeed in my work, when I too think it's wise to retain a semblance of German syntax in English, but there are others when I feel it's asking too much of readers. There are times when I do in fact want them to remember they're reading a translation and times when I want to give rhythm priority over content, or whatever.

One of the places where I think and talk about translation in a practical way is the no man's land translation lab in Berlin. Literary translators, either professional or amateur, old hands, beginners or even those still thinking about trying it out, can come along and bring texts they're working on for us to go through in the group. A while ago one of us was translating Kafka fragments, so we were looking at how on earth to put Kafka into English, with the added difficulty that this was unedited, unfinished Kafka. What on earth did he mean by that, what might that word have meant in 1914 Prague, and just how important is that modal particle? In this case, most of us agreed that the translator Ina Pfitzner needed to stay pretty close to the original syntax most of the time. But there are other Kafka translations - for other purposes - that veer further away, for instance Michael Hofmann's excellent version of "A Country Doctor". What Hofmann does is embellish ever so slightly, teasing out the gruesome humour. Whereas Joyce Crick's translation of the same story is closer to the original and therefore more useful for scholarly readers. Neither of the two is objectively better for an imaginary universal reader.

Anyway, there is a fascinating interview with Michelle Woods - someone who does teach translation theory - at World Literature Today, in which she talks about her forthcoming book on re-translating Kafka.


Helen MacCormac said...

Would the no man's land translation lab be able to look at a text I have worked on , although I am not in Berlin? I stayed very close to the rhythm and phrasing of the original using what seems to me to be a rural English voice. While this worked well for me reading out loud, it unfortuately comes across as folksy and oldfashioned and too foreign in writing,the book is brilliant and I would love to do it justice.

Nat said...

I'm not sure which university departments he considers "more important" or how long "quite a while" is, but that certainly wasn't the case in the course I did in 2006-2007. We were taught a whole variety of theories and approaches to translation. And they also emphasised repeatedly that the approach you use depends on the nature of the translation task you are faced with. In fact, one of the main schools of German translation theory is all about that. I really can't believe that German university courses are going to be any different in this respect.

kjd said...

Hi Helen - I'm afraid not, you really have to be there because it's less a case of straight editing than feedback, questions, suggestions and so on. But if you're ever in Berlin on the first Tuesday of the month - come along! Or why not try setting something similar up where you are?

kjd said...

And Nat - I'm not sure whether Kehlmann was just playing for laughs (coupled with a touch of Publikumsbeschimpfung) or really knows little about it. Possibly both.

Ina Pfitzner said...

When I studied translation at Humboldt-University from 1985 to 1989, it wasn't like that either. My professor was Monika Doherty, aka Judith Macheiner, one of the icons of translation theory. I think maybe for once, D.K. doesn't really know what he's talking about.

Helen MacCormac said...

The translation lab sounds like a fantastic setup. I really will see if we can get something like that started here. And I will definitely pop in if I am ever in Berlin :)

Anonymous said...

Just knowing the language is not enough to make an academic translation. One must deliberately learn how to do an academic translation. Not all students can do it. Just like not all students can do their homework in the humanities, such as writing papers. It's good that we live in the 21st century when there are special professional services đź–Ś that can help with writing papers and performing academic translation.

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